Exceptional Sound, Honoring every Moment… From Stage to Screen.

Live Event and Production Sound Services tailored to meet all your production needs.

Audio Problems?

Have your recent events and productions left you struggling to achieve crystal-clear dialogue?

You may have encountered feedback issues or persistent hissing in your sound files or PA system. Perhaps a crowded RF environment caused your wireless microphones to drop out or crackle, or the audio simply sounded overly harsh or muffled…

Don’t worry — These were some of the most common challenges facing our clients, here's our solution. We offer a selection of low-noise microphones with various pickup patterns to minimize feedback and noise in your PA system and recordings. Our inventory includes state-of-the-art Axient Digital wireless microphone technology to ensure seamless performance and reliability. We also recognize that audio quality can be a highly subjective topic. For this reason, we use reference-grade microphones to analyze and improve speaker systems for optimal balance creating an exceptional listening experience from ear to ear. For our visual media productions, we provide in-ear monitors to help you accurately assess the recorded audio for real-time adjustments.

What Makes us Different?

Capture Everything

  • Versatile Microphone Selection: Featuring a wide range of polar patterns with consistent response curves for diverse audio needs.

  • Ultra-Low Noise Microphones: Delivering pristine sound quality with a noise floor as low as 13 dBA.

  • Humidity-Resistant & RF-Shielded Microphones: Designed for reliable performance in challenging conditions.

  • Boom Poles with Adjustable Reach: Offering lengths from 4’ to 17’ for precise audio capture.

  • Wind Protection Accessories: Includes wind blimps, pop filters, and lavalier furs to ensure clear audio in windy environments.

  • Discreet Plant Microphones: Ultra-compact and concealed for seamless sound capture.

Hear Everything

  • In-Ear Monitors: Experience crystal-clear audio with a personalized or recorded mix.

  • Reference-Quality Microphones: Ideal for system measurement and tuning, ensuring optimal balance.

  • Advanced Digital RF Microphone Technology: Engineered for congested RF environments, delivering exceptional audio clarity and reliability.

Any Signal Anywhere

  • 32/12-Channel Portable Mixer/Recorder: Equipped with Dante networking for seamless audio integration and portability.

  • 16/8-Channel Compact Live Mixer: Designed for live productions, featuring Dante network compatibility for advanced connectivity.

  • 75' Low-Loss RF Cable Reels: Ensuring reliable signal transmission with minimal interference.

  • 200ft Ethernet Cable Reels: Durable and efficient for extended networking needs.

  • Production Carts: Effortlessly transport gear to where it’s needed most.

  • High-Capacity Portable Battery: Powers the entire setup with a single charge for uninterrupted operation.

  • Active and Passive RF Antennas: A versatile selection with various polar patterns for optimal signal reception and transmission.

Behind The Scenes

This is the view from my production cart, designed for a standing workflow where I can easily monitor and access all equipment at a glance. It features a pull-out keyboard for typing, and the entire cart can be split in half to reduce weight, making

This is the view from my production cart, designed for a standing workflow where I can easily monitor and access all equipment at a glance. It features a pull-out keyboard for typing, and the entire cart can be split in half to reduce weight, making it easier to navigate stairs.

Pictured here are my Axient Digital micro-bodypack transmitters. Clients love them for their antenna-free design, making them comfortable to wear directly against the body.

Pictured here are my Axient Digital micro-bodypack transmitters. Clients love them for their antenna-free design, making them comfortable to wear directly against the body.

One of my production carts set up inside my spacious van, with ample room to comfortably work inside the vehicle as well.

One of my production carts set up inside my spacious van, with ample room to comfortably work inside the vehicle as well.

Pictured above is my lightweight ramp, which I can easily use to load and unload equipment from my van. It’s also handy for navigating challenging locations—if needed.

Pictured above is my lightweight ramp, which I can easily use to load and unload equipment from my van. It’s also handy for navigating challenging locations—if needed.

This was the USGBC Green Gala Awards, where I handled live audio, playback, recording, and live editing of the event. The setup featured two cameras, a podium microphone, Two VOG wireless microphones and some program audio.

This was the USGBC Green Gala Awards, where I handled live audio, playback, recording, and live editing of the event. The setup featured two cameras, a podium microphone, Two VOG wireless microphones and some program audio.

I can transport all my cases using a rickshaw-style cart, like the one shown in this photo. Despite the heavy load, the rickshaw design uses leverage to make it surprisingly effortless—even when navigating stairs.

I can transport all my cases using a rickshaw-style cart, like the one shown in this photo. Despite the heavy load, the rickshaw design uses leverage to make it surprisingly effortless—even when navigating stairs.

My trusty Sound Devices Scorpio is a powerhouse packed into such a compact form factor. Below it sits my compact timecode slate, which is incredibly durable and reliable.

My trusty Sound Devices Scorpio is a powerhouse packed into such a compact form factor. Below it sits my compact timecode slate, which is incredibly durable and reliable.

I've maintained a consistent organizational method, which has proven invaluable when adapting to different carts and shelves.

I've maintained a consistent organizational method, which has proven invaluable when adapting to different carts and shelves.

In this photo, you can see my live streaming cart, with my production van in the background. The van's lights can illuminate outside the van, making night load-outs significantly easier.

In this photo, you can see my live streaming cart, with my production van in the background. The van's lights can illuminate outside the van, making night load-outs significantly easier.

Axient Digital Handheld Microphones are the best wireless microphones on the market. I trust them completely and have never experienced a single dropout in the two years I've owned them.

Axient Digital Handheld Microphones are the best wireless microphones on the market. I trust them completely and have never experienced a single dropout in the two years I've owned them.

This was a panel discussion for the Hollywood Chamber of Commerce, with four wireless handheld microphones and additional sound reinforcement. I also handled playback for the event.

This was a panel discussion for the Hollywood Chamber of Commerce, with four wireless handheld microphones and additional sound reinforcement. I also handled playback for the event.

Here are the lavalier accessories I rely on, including stickies, mounts, pouches, Hush Heels, and even a lamp.

Here are the lavalier accessories I rely on, including stickies, mounts, pouches, Hush Heels, and even a lamp.

Our Valued Partners & Clients

 FAQs

  • To get started, I’ll have you fill out a quote request form, or we can complete it together over the phone. Once I have the details, I’ll prepare a quote tailored to your project. Once the Quote and Service Agreement are approved and payment is received, your production services are officially booked!

  • You can find all available service and rental rates under the "Services and Rentals" tab in the navigation bar.

    If there’s an item you’d like to include that isn’t listed, feel free to give me a call or note it in the "Any Additional Equipment?" section of the Quote Request Form. I’m happy to accommodate your needs!

  • Production Sound: A clear shot list, access to power on set, and early information about the shooting environment. A quiet space for sound monitoring is also appreciated. While it depends on the complexity of the shoot, I typically need about 30 minutes to an hour for basic setups.

    Live Event Sound: Safe Parking for offloading equipment, access to power on site and early information about the event’s order of events. Setup time depends on the size of the event, but I usually require a few hours for equipment setup, sound checks, and fine-tuning the system to the venue.

  • I scout locations ahead of time when possible and come prepared with noise reduction solutions like sound blankets, windshields, soft heels, and an array of directional microphones.

  • By coordinating with the director and other department heads, choosing the right microphone placement, and monitoring levels closely throughout the shoot.

    While there may be situations, such as when a large wind machine is required, that make capturing clean sound challenging, it's important to record a reference of the dialogue. This helps ensure the performance can be accurately reenacted during post-production.